Every time I think about what I’m attempting to write, it scares the bejeezus out of me. I cringe just to tell you what I’m attempting. I’m, like, embarrassed that I presume to try this.

So moving on…

I’m dreaming characters. This is so exciting, because they are these vivid, fascinating (to me) characters. They are not main characters, but walk-ons. And they say so much about the world they live in, their society, their family, their life, and who they are, in a very poignant way. (At least, I imagine they do.)

That’s a tall order. They are a picture worth a thousand words.

And they’re so fleshed-out, in my mind, that I could write a whole novel on each one. Which is a problem, because I keep wanting to move them up to major character status. Or actually write a novel on them.

What’s also odd is that I’m not thinking them up. They are hitting me. Bam! I am dreaming them. Just boom! and they’re there.

Surreal. This has never happened to me before, not in nine years of writing.

But thank you, Universe. No way could I write this story without some major divine intervention.

It makes me ponder. I generally focus on my main and secondary characters, and other “bit” characters are added as needed. They’re static, single-function, serving the story and/or the other characters.

Should I be doing this in all my stories? Would I have a livelier, more vivid story if I made each bit and minor character novel-worthy? Even those who are only onstage for a sentence or paragraph?

Am I reading too much Dickens? (I’m currently reading Oliver Twist. Reading Dickens is like sipping a good cup of hot chocolate: comforting and yummy.)

What think you? Do your bit characters make you want to write a whole novel on them? How do characters occur to you? How fleshed out do you go for each character? Major? Minor? Bit?

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© Natasha Fondren for Natasha Fondren, 2009. | 19 comments

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