Hopes and Dreams
Not yours. Not your career’s. What are the hopes and dreams for your novel, for the world inside your novel, for your characters?
You all know how badly I want to (finally!) write a story targeted for New York for NaNo. This is taking a whole new process, because usually I start with the romantic tension between two characters, their problems, and go from there.
I’m flying clueless and scared, here.
Worse, I’m also catching up on projects that I’d meant to be completed before NaNo began. I’ve also been writing past planned: the last novella was meant to be 52K, but it ended well over 60K. This one was supposed to end at 48K, but it’s still going steady at 52K. (I’ll probably have to split it in two parts to fit guidelines.) Plus I meant to squeeze in a 20K novella last week.
*sigh*
Anyway, I’m still determined to write a non-erotic novel targeted for New York. This month. But I still don’t “know” it. It’s not “ripe” yet.
One of the tips NaNo gives is, if you’re stuck, to write your hopes for the scene, or your hopes for the book. Not your hopes for getting an agent or getting published or getting a certain advance, but what emotions you hope your scene inspires in the reader, where you hope the scene will take the characters emotionally, how you hope the climax will play out.
What do you want your scene or your story to say? What kind of effect do you want it to have on the reader?
It loosens things up, for sure, especially if I haven’t done enough pre-writing imagining in my head, but I don’t have time to indulge in just waiting longer. I’m getting little glimmers of my story, but not yet enough to know where it begins.
So how do you knock things loose when you’re stalled? What are your hopes and dreams for your current story?



Natasha Fondren is a writer traveling the U.S. in a camper with her four cats. She is currently enjoying the lizards and desert heat in Arizona.